#Artificial Garden Walls Sydney
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#Vertical Gardening System in Australia#Artificial Garden Walls Sydney#Artificial Garden Wall Supplier in Brisbane#Moss walls supplier in Australia#Vista Garden Systems#Vista Green Wall Living Plant System
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Top Design Ideas For Home Extensions In Sydney CBD
Home extensions in Sydney CBD provide a practical solution for growing families, professionals or anyone looking to optimise their space without relocating. Whether the goal is to add functionality or enhance aesthetics, thoughtful design ideas can transform existing spaces into modern, efficient living environments.
Here are some innovative design ideas for home extensions tailored to Sydney’s urban lifestyle.
Seamless Indoor-Outdoor Living
Maximise the connection between indoor and outdoor spaces with bi-fold doors, large glass panels, or sliding doors. This design approach allows natural light to flow into the extension while providing easy access to courtyards, balconies, or gardens. Given the limited space in Sydney CBD, rooftop terraces or vertical gardens can also create outdoor sanctuaries that complement the home extension.
Modern Open-Plan Layouts
Open-plan designs are ideal for maximising space and creating a seamless flow between living, dining, and kitchen areas. By removing walls and incorporating modern materials like glass partitions or steel beams, the extension can feel more expansive while maintaining a stylish appearance. Adding skylights or high windows further enhances natural lighting, reducing reliance on artificial sources.
Multi-Purpose Rooms
Adaptable spaces are perfect for Sydney CBD homes, where every square metre matters. A home extension can include a multi-functional room that serves as a guest bedroom, home office, or entertainment area. Foldable furniture, Murphy beds, and clever storage solutions allow the space to transform seamlessly based on its current use.
Second-Storey Extensions
For properties with limited ground space, building upward is a smart solution. A second-storey extension provides additional bedrooms, bathrooms, or even an office without sacrificing outdoor areas. A well-executed design can maintain architectural consistency with the existing structure while increasing the home’s value. Lightweight materials like timber or steel frames ensure structural integrity while reducing overall load.
Heritage-Friendly Designs
Sydney CBD has many heritage-listed homes that require thoughtful design to preserve their historic charm while integrating modern amenities. Extensions that incorporate materials, finishes, and architectural elements that match the original structure maintain harmony and character. Combining heritage facades with contemporary interiors provides a beautiful balance of old and new.
Compact Kitchen Extensions
A kitchen extension can significantly improve functionality in compact homes. Adding a galley-style kitchen with sleek cabinetry and integrated appliances ensures every corner is utilised effectively. Installing floor-to-ceiling windows or glass doors enhances light and creates a sense of openness in small kitchens.
Loft Conversions for Additional Space
Loft conversions offer a creative way to extend living areas in CBD homes with unused roof space. Converting the loft into a bedroom, study, or relaxation zone adds significant value and versatility without altering the home’s footprint. Incorporating skylights and minimalist interiors makes the loft feel spacious and inviting.
Sustainable and Smart Extensions
Sustainability plays a crucial role in modern home extensions. Incorporating energy-efficient features like solar panels, rainwater harvesting systems, and double-glased windows reduces environmental impact and enhances long-term cost savings. Smart home technology, including automated lighting, climate control, and security systems, ensures the extension is functional and future-ready.
Use of Glass and Steel
Glass and steel extensions are increasingly popular in Sydney CBD due to their contemporary appeal and ability to create visual continuity. Glass walls, large windows, and steel structures give the extension a sleek and industrial look while blending seamlessly with modern urban surroundings.
Innovative Storage Solutions
Clever storage is essential for home extensions in Sydney CBD, where space constraints are common. Built-in wardrobes, under-stair storage, and custom cabinetry make the most of every inch. Integrating storage into seating areas or wall niches ensures a clutter-free, functional space.
Conclusion
Home extensions in Sydney CBD present endless opportunities to optimise space, enhance functionality, and boost property value. By focusing on creative and practical designs—such as seamless indoor-outdoor connections, second-storey additions, or sustainable features—it is possible to achieve a modern living space that meets evolving lifestyle needs. Tailored solutions ensure every home extension enhances comfort and style while making the most of Sydney’s unique urban landscape.
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The Top Sustainable Buildings of 2024: Architectural Marvels Driving a Greener Future In an era where sustainability is more than just a trend, some buildings across the globe have emerged as paragons of green architecture. These structures embody an innovative blend of design, technology, and environmental consciousness, proving that our built environment can co-exist harmoniously with nature. Here’s a look at some of the most sustainable buildings of 2024, each contributing uniquely to a greener world. 1. Powerhouse Brattørkaia, Trondheim, Norway - Location: Trondheim, Norway - Completed: 2019 - Features: Powerhouse Brattørkaia is a stellar example of energy-positive construction. Located in the Norwegian city of Trondheim, this office building produces more energy than it consumes over its entire lifespan, including during the production of building materials, construction, and deconstruction. Equipped with solar panels that generate 485,000 kWh annually, this building actively contributes to the local power grid, setting a high bar for what the future of sustainable architecture can look like. - Design Insight: The building’s unique sloping roof is designed for optimal solar energy capture, while its insulation ensures that energy demand is minimized. The smart systems for temperature regulation and energy monitoring have proven that buildings can be a net positive for the environment. 2. The Edge, Amsterdam, Netherlands - Location: Amsterdam, Netherlands - Completed: 2015 - Features: Widely recognized as one of the "smartest buildings" globally, The Edge has maintained its place as a benchmark for sustainability well into 2024. Awarded a 98.36% BREEAM sustainability score, it is a key example of how technology can drive green architecture forward. - Sustainable Features: The Edge uses LED lighting powered by a network of 28,000 sensors to track movement, light levels, temperature, and humidity. These sensors automatically adjust the building’s environment, cutting energy use by up to 70% compared to traditional office structures. The integration of rainwater harvesting systems also helps minimize water consumption, while solar panels on the roof power a significant portion of the building’s energy needs. 3. Bosco Verticale, Milan, Italy - Location: Milan, Italy - Completed: 2014 - Features: Bosco Verticale, or the "Vertical Forest," is a visionary residential development that integrates nature into urban life. Each of the two towers is covered with over 20,000 trees, shrubs, and flowering plants, providing a total of 50,000 square meters of plant coverage, equivalent to a hectare of forest. - Environmental Impact: The vegetation contributes to air purification, produces oxygen, and creates a natural sound barrier. The building maintains its biodiversity by attracting over 1,600 species of birds and insects. These towers symbolize how greenery can be integrated into urban environments to combat pollution and enhance residents' quality of life. Bosco Verticale remains a beacon for cities worldwide trying to increase biodiversity and combat the urban heat island effect. 4. One Central Park, Sydney, Australia - Location: Sydney, Australia - Completed: 2014 - Features: One Central Park is a mixed-use development characterized by its striking green wall and innovative sustainable design. The building features a vertical garden developed by botanist Patrick Blanc, boasting 250 different plant species across 1,200 square meters of green façade. - Technology Integration: The building also features automated sun-tracking mirrors, which reflect light deep into the residential units to reduce the need for artificial lighting. The inclusion of renewable energy systems, such as a tri-generation power plant and a blackwater recycling plant, has led to a 25% reduction in energy use compared to conventional buildings. 5. Punggol Digital District (PDD), Singapore - Location: Singapore - Scheduled Completion: 2024 - Features: Singapore’s first smart district, Punggol Digital District, is being designed to be a model for urban sustainability in the country. PDD integrates energy-efficient buildings, solar panels, and a centralized district cooling system that lowers energy consumption. - Green Goals: The district aims to achieve net-zero energy, setting a precedent for large-scale urban developments. The public spaces are designed for walkability, with shared green areas fostering community interaction. The buildings are expected to achieve Green Mark Platinum, Singapore’s highest environmental rating, ensuring that the district’s carbon footprint remains minimal. Conclusion The year 2024 has seen a continuation of the trend towards energy-efficient, eco-friendly, and smart architecture. From Norway's Powerhouse Brattørkaia to Singapore's Punggol Digital District, these sustainable buildings demonstrate the potential of blending technology with green principles. They are pioneering the movement towards sustainable living, minimizing the impact of construction on the environment, and offering a blueprint for the future of urban development. These exemplary buildings embody not just advancements in architecture, but a change in mindset—one that views sustainability as an integral part of design, construction, and urban living. As the world continues to battle the climate crisis, such architectural innovations are leading the way towards a more sustainable and harmonious future. https://archup.net/woha-and-patricia-urquiolas-tropical-skyscraper-eco-friendly-and-voluptuous/ Read the full article
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Unlocking the Potential of Sliding Doors: A Comprehensive Guide
Sliding doors are more than just a practical solution for tight spaces—they're a stylish addition that can redefine how you interact with your home or office environment. With their sleek design and functional benefits, sliding doors are becoming increasingly popular.
Let’s dive into what makes sliding doors in Sydney a standout choice and how you can make the most of them in your space.
Why Choose Sliding Doors?
Space Optimisation
One of the primary reasons homeowners and designers opt for sliding doors is their efficiency in space utilisation. Unlike traditional doors, which require a swing radius to open, sliding doors operate on a horizontal plane. This means you can place furniture and other elements closer to the door without worrying about clearance, making them ideal for smaller rooms or tight areas.
Aesthetic Appeal
Sliding doors can enhance the visual appeal of your space with their modern and minimalist design. They offer a clean, unobtrusive look that can seamlessly integrate into any interior style, from contemporary to rustic. With various materials and finishes available, including glass, wood, and metal, you can tailor the design to suit your taste and décor.
Improved Natural Light
One of the standout features of sliding doors is their ability to maximise natural light. Large glass panels can brighten up any room, creating an inviting and airy atmosphere. This natural light can also help reduce the need for artificial lighting during the day, making your space more energy-efficient.
Seamless Indoor-Outdoor Flow
Sliding doors are perfect for creating a fluid transition between indoor and outdoor areas. Whether you’re opening up to a patio, garden, or balcony, sliding doors allow for an uninterrupted connection to the outdoors. This can enhance your living experience by making outdoor spaces more accessible and enjoyable.
Easy Operation
Sliding doors are designed for smooth, effortless operation. Their mechanism ensures that opening and closing the doors is a breeze, even with one hand. This ease of use is particularly beneficial in high-traffic areas or for individuals with mobility challenges.
Types of Sliding Doors
Glass Sliding Doors
Glass sliding doors Sydney are the go-to choice for those looking to enhance natural light and create a sense of openness. They come in various styles, including clear, frosted, and tinted glass, each offering different levels of privacy and light control. For added safety, opt for tempered or laminated glass.
Barn Doors
Barn-style sliding doors bring a touch of rustic charm to any space. They typically feature a wooden construction and are mounted on a visible track system that adds a decorative element to the design. Barn doors are ideal for creating a focal point in a room or adding character to more traditional interiors.
Pocket Doors
Pocket sliding doors are ingeniously designed to slide into a pocket within the wall, completely disappearing when open. This design is perfect for maintaining an unobstructed opening, making them suitable for spaces where you want to avoid door swings entirely.
Multi-Panel Sliding Doors
For larger openings, multi-panel sliding doors offer a grand and flexible solution. These doors consist of several panels that can slide and stack to one side, providing an expansive opening that can enhance your view and access. They are commonly used for patio or balcony doors.
Installation Considerations
Professional Installation
While DIY installation is possible, hiring a professional can ensure that your sliding doors are installed correctly. Professionals have the expertise to handle the precise measurements and alignment needed for optimal performance.
Track System and Hardware
The track system is crucial for the smooth operation of sliding doors. Choose a high-quality track and durable hardware to ensure longevity and reliability. Regular maintenance, including cleaning the tracks and checking for alignment, will help keep your doors functioning smoothly.
Customisation Options
Sliding doors come with various customisation options, including frame materials, finishes, and glass types. Consider your room’s décor and functionality needs when choosing these elements. Customisation allows you to create a door that not only looks great but also meets your specific requirements.
Maintenance Tips
Regular Cleaning
Keep the tracks and rollers clean to prevent debris from causing jams. A simple cleaning routine can help maintain smooth operation and extend the lifespan of your doors.
Check for Wear and Tear
Periodically inspect the doors for any signs of wear or damage. Address any issues promptly to prevent more significant problems and ensure the doors continue to operate smoothly.
Lubrication
Apply a suitable lubricant to the tracks and rollers as needed to keep them functioning properly. Avoid using harsh chemicals that could damage the finish or mechanism.
Final Words
Sliding doors offer a blend of functionality and style that can transform your living or working space. Their space-saving design, modern aesthetics, and ability to enhance natural light make them a versatile choice for various applications. By understanding the different types of sliding doors and following proper installation and maintenance practices, you can enjoy their benefits and elevate your space to new heights.
Explore the possibilities with Residential Sliding Doors in Perth and discover how they can enhance both the look and functionality of your home or office. Whether you’re renovating or building from scratch, sliding doors are a stylish and practical choice that can make a significant impact.
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Creating a Sustainable Oasis: Eco-Friendly First Floor Additions Inner West
The Inner West of Sydney embodies a vibrant tapestry of culture, community, and heritage. Its charming terrace houses, however, often come with a familiar challenge – limited space. First Floor Additions (also known as second storey additions) are a popular solution, but expanding your living space doesn't have to come at the expense of the environment. Here's your guide to creating a sustainable oasis with your First Floor Additions Inner West.
Inner West Soul, Sustainable Core
The Inner West prides itself on a strong environmental consciousness. When embarking on your First Floor Additions Inner West, consider ways to integrate eco-friendly practices that not only benefit the environment but also enhance your living experience. Here are some key principles to embrace:
Energy Efficiency is Key: Prioritize energy-efficient design elements. Opt for double-glazed windows to minimize heat transfer and regulate indoor temperature. Consider incorporating strategically placed skylights to harness natural light and reduce reliance on artificial lighting.
Sustainable Materials Matter: The materials you choose for your First Floor Additions Inner West have a significant environmental impact. Select sustainably sourced and recycled materials like recycled timber, engineered wood, or responsibly harvested bamboo flooring. Explore the use of recycled red brick, a signature element of the Inner West, to maintain the heritage aesthetic while minimizing environmental footprint.
Water Wise Design: Implement water-saving measures to conserve this precious resource. Install water-efficient fixtures in your bathroom and kitchen. Consider incorporating a rainwater tank system to collect rainwater for irrigation or toilet flushing.
Embracing Renewable Resources
Take advantage of the Inner West's plentiful sunshine to integrate renewable energy sources into your First Floor Additions Inner West:
Harnessing the Sun: Invest in a solar panel system on your roof. This not only reduces your reliance on grid electricity but also contributes to a cleaner energy future. Solar hot water systems can further reduce your reliance on conventional hot water heating.
Natural Ventilation Strategies: Maximize natural ventilation by incorporating strategically placed windows and vents. This reduces the need for air conditioning during cooler months and promotes a healthier indoor environment. Consider installing operable skylights or clerestory windows to draw in fresh air and circulate warm air in winter.
Sustainable Features for Everyday Living
Incorporate sustainable features that seamlessly integrate into your daily life within your First Floor Additions Inner West:
Green Walls and Rooftop Gardens: Transform your walls or rooftop into a lush vertical garden. This not only adds a touch of beauty but also improves air quality, acts as natural insulation, and provides a habitat for local wildlife.
Water-Wise Landscaping: Opt for native, drought-tolerant plants in your landscaping. This minimizes the need for excessive watering and promotes biodiversity in your local ecosystem.
Smart Appliances: Invest in energy-efficient appliances for your new space. Look for appliances with high energy star ratings to minimize your overall energy consumption.
Sustainable Building Practices: Work with a builder who utilizes sustainable building practices like waste minimization and recycling of construction materials.
First Floor Additions Inner West: FAQs
Do sustainable features add to the cost of my First Floor Addition Inner West?
While the initial cost of some sustainable features might be higher, the long-term benefits are significant. Energy-efficient appliances and building practices can lead to substantial savings on utility bills over time. Government rebates and incentives for installing solar panels or rainwater tanks can also help offset the initial costs.
How can I find builders experienced in sustainable construction for my First Floor Addition Inner West?
Look for builders who are members of organizations like the Green Building Council of Australia (GBCA). These builders have expertise in sustainable construction practices and can guide you on incorporating eco-friendly elements into your project.
Are there any council regulations regarding sustainable building practices in the Inner West?
The Inner West Council actively promotes sustainable development. Check with your local council for any specific regulations or incentives related to sustainable building practices that might apply to your First Floor Additions Inner West.
Conclusion: A Sustainable Sanctuary
First Floor Additions Inner West can be a fantastic way to expand your living space while minimizing your environmental impact. By embracing these eco-friendly design principles, you can create a sustainable oasis in the heart of the vibrant Inner West. Your choices not only contribute to a healthier planet but also ensure a comfortable and energy-efficient living space for you and your family. Remember, consulting with experienced architects and builders who understand the Inner West's unique character and sustainable building practices is crucial. Together, you can create a First Floor Addition Inner West that celebrates both the rich heritage of the neighbourhood and a commitment to a sustainable future.
First Floor Additions Sydney
First Floor Additions Hills District Sydney
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sydney artificial grass ideas
Artificial grass has become a popular choice for landscaping in Sydney, offering a low-maintenance alternative to natural lawns that stays green and pristine year-round. Whether you're upgrading your backyard, front yard, rooftop garden, or a commercial space, there are numerous creative ways to incorporate artificial grass to enhance aesthetics and functionality.
1. Backyard Oasis
Transform your backyard into a lush oasis with artificial grass. Create distinct zones for lounging, dining, and play areas by layering different textures and materials. Combine the softness of artificial grass with paved pathways, wooden decking, or stone features to add visual interest and functionality.
2. Rooftop Retreat
In urban Sydney, rooftop gardens are a coveted space. Artificial grass can turn a barren rooftop into a green retreat. Install artificial turf to cover the entire surface or create patches of greenery amidst seating areas and potted plants. It provides a soft surface for relaxation while reducing heat absorption and glare from the sun.
3. Pet-Friendly Spaces
Artificial grass is ideal for pet owners in Sydney. Designate a pet area that’s easy to clean and maintain with synthetic turf. Incorporate durable materials for pathways and play structures, ensuring a pet-friendly environment that blends seamlessly with the rest of your landscape.
4. Poolside Paradise
Enhance your pool area with artificial grass to create a luxurious poolside retreat. Surround the pool deck with synthetic turf for a lush, green border that requires minimal upkeep. Choose turf that is designed to withstand chlorine and sun exposure for long-lasting beauty and comfort.
5. Child-Friendly Playgrounds
Design safe and engaging play areas for children with artificial grass installation. Install soft, cushioned turf that provides a comfortable surface for playtime while reducing the risk of injuries from falls. Integrate vibrant colors and patterns into the turf for interactive games like hopscotch or mini-golf, fostering creativity and outdoor fun.
6. Low-Maintenance Landscaping
fake grass offers a solution for Sydney homeowners looking to reduce water usage and maintenance efforts. Replace traditional lawns with synthetic turf that stays green throughout the year without the need for mowing, watering, or fertilizing. Choose high-quality turf that mimics the appearance and texture of natural grass for a realistic and inviting landscape.
7. All-Weather Entertainment Areas
Create versatile outdoor entertainment areas with artificial grass sydney that can withstand Sydney's variable weather conditions. Designate spaces for outdoor dining, lounging, or hosting gatherings with durable synthetic turf that remains vibrant and resilient in rain or shine. Combine with outdoor furniture, lighting, and decor to complete the inviting ambiance.
8. Green Walls and Vertical Gardens
Explore vertical gardening options using artificial grass to create stunning green walls or vertical gardens. Install synthetic turf sydney panels on walls or fencing to add texture and color to outdoor spaces. Incorporate planters and hanging pots for a dynamic display of greenery that enhances privacy and visual appeal.
9. Commercial and Public Spaces
Artificial grass is a practical choice for enhancing commercial and public spaces in Sydney. Use synthetic turf to create welcoming entrances, outdoor seating areas, or recreational spaces that require minimal maintenance and upkeep. Incorporate branding elements or themed designs using colored turf for a distinctive and memorable outdoor experience.
10. Environmental Benefits
Consider the environmental benefits of artificial grass in Sydney, such as reduced water consumption and pesticide use compared to traditional lawns. Choose eco-friendly turf options made from recyclable materials and designed for sustainability to minimize your carbon footprint while enjoying a green and vibrant landscape.
Incorporating artificial grass into your Sydney landscape offers endless possibilities for creating inviting, functional, and sustainable outdoor spaces. Whether you're aiming to transform a residential backyard or enhance a commercial property, synthetic turf provides a versatile solution that combines aesthetic appeal with practical benefits for years to come.
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Sustainable Living: Green Features to Look for in Sydney Homes
Introduction: In recent years, there has been a growing emphasis on sustainable living and environmentally friendly practices. When searching for a home in Sydney, considering properties with green features can benefit both the environment and your quality of life. In this article, we will explore essential green features to look for in Sydney homes, with insights from Sydney property buyers agents. Understanding these features will enable you to make eco-conscious decisions and contribute to a more sustainable future.
Energy-Efficient Appliances and Lighting: One of the primary aspects of a green home is the presence of energy-efficient appliances and lighting fixtures. Look for homes equipped with Energy Star-rated appliances, LED or CFL lighting, and smart home systems that optimize energy usage. These features can significantly reduce your energy consumption and lower utility bills while minimizing your environmental footprint.
Solar Panels and Renewable Energy Sources: Homes with solar panels or other renewable energy sources are an excellent investment in sustainable living. Solar panels harness the power of the sun to generate electricity, reducing reliance on non-renewable energy sources and decreasing carbon emissions. Consider properties that have already incorporated solar panels or have the potential to install them in the future.
Efficient Insulation and Windows: Efficient insulation and windows contribute to a home's energy efficiency by reducing heat loss or gain. Look for homes with well-insulated walls, roofs, and floors, as they provide better temperature control and reduce the need for excessive heating or cooling. Energy-efficient windows with double glazing or low-emissivity coatings can also improve thermal performance and enhance energy efficiency.
Water-Saving Fixtures and Systems: Conserving water is crucial for sustainable living. Look for homes that feature water-saving fixtures such as low-flow toilets, aerated faucets, and water-efficient showerheads. Additionally, properties with rainwater harvesting systems or graywater recycling systems can help reduce water consumption and lower your reliance on mains water.
Sustainable Landscaping and Gardens: Consider properties with sustainable landscaping and gardens that prioritize water conservation and native plant species. Native plants require less water and maintenance, support local ecosystems, and attract wildlife. Look for properties that incorporate water-efficient irrigation systems, rain gardens, or permeable paving to minimize water runoff and enhance environmental sustainability.
Passive Design Features: Homes with passive design features are built to maximize natural light, ventilation, and thermal comfort. Look for properties with features such as strategically placed windows, shading devices, and orientation that optimize natural light and airflow. These design elements can reduce reliance on artificial lighting and air conditioning, promoting energy efficiency and a healthier indoor environment.
Efficient Heating and Cooling Systems: Energy-efficient heating and cooling systems are essential for reducing energy consumption and creating a comfortable living environment. Look for homes with high-efficiency HVAC systems, heat pumps, or evaporative cooling systems. These systems can help maintain optimal temperatures while minimizing energy usage and greenhouse gas emissions.
Sustainable Materials and Construction Practices: Consider properties that incorporate sustainable materials and construction practices. Look for homes with eco-friendly building materials, such as recycled or reclaimed materials, sustainable timber, or low VOC (volatile organic compound) paints and finishes. Additionally, properties with energy-efficient building designs, such as passive solar design or green building certifications, demonstrate a commitment to sustainability.
Smart Home Technology: Smart home technology can enhance energy efficiency and provide greater control over your home's environmental impact. Look for homes with smart thermostats, energy monitoring systems, or automated lighting and irrigation controls. These technologies enable you to optimize energy usage and reduce waste by efficiently managing your home's systems.
Consulting Buyers Agents Sydney or Sydney Property Buyers Agents: Buyers agents in Sydney and Sydney property buyers agents can assist in identifying properties with green features that align with your sustainability goals. They have extensive knowledge of the local market and can guide you towards eco-friendly homes, recommend sustainable neighborhoods, and connect you with eco-conscious builders or architects.
Conclusion: Choosing a home with green features in Sydney is a positive step towards sustainable living. From energy-efficient appliances to solar panels, water-saving fixtures, and sustainable landscaping, these features can significantly reduce your environmental impact and create a healthier living environment. Engaging buyers agents Sydney can provide valuable guidance and expertise in finding homes with green features that align with your sustainability values. By prioritizing these features, you can contribute to a greener future while enjoying the benefits of an eco-friendly home.
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Artificial vertical garden walls are a maintenance-free choice to the real thing. They are lush, genuine and look great all year round. For best quality, Artificial Vertical Gardens and Green Walls, always choose the Forever Hedge.
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Attractive Green Wall Panels & Artificial Living Wall
https://www.evergreenwalls.com.au/ - Few improvements to a space bring more life to it as quickly as adding greenery by putting up a garden wall, but some settings present too many problems to permit the installation or maintenance of one. Evergreen Walls 27 Ethel Avenue Sydney, Brookvale NSW Zip Code: 2100 Tel No: +61 2 8197 3002 E-mail Id: [email protected]
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Ten lush rooftop gardens that serve as tranquil oases above the city
In the third of a trio of spring lookbooks this Easter weekend, we've rounded up ten verdant rooftop gardens including a penthouse garden in Australia and a stepped vegetable garden in Vietnam.
This is the latest roundup in our Dezeen Lookbooks series providing visual inspiration for the home. Previous articles in the series feature terrazzo kitchens, stylish home offices, children's bedrooms and inspiring outdoor living spaces.
Sydney penthouse garden, Australia, by CO-AP
The luxurious garden of this penthouse in Darlinghurst, Sydney, is made up of raised beds filled with indigenous plant, tree and shrub species.
Designed by landscape architect Matt Dillion, the plants were carefully selected to suit harsh rooftop conditions. The garden surrounds a pavilion-inspired penthouse with large windows.
Find out more about Sydney penthouse garden ›
Casa Verne, Mexico, by Zeller & Moye
This Mexico City rooftop garden was created as a getaway within a crowded neighbourhood in the bustling city.
Walkways made from white marble pebbles meander through different leisure areas, which feature plots of vegetation carefully planted to make the space seem bigger. Curved lines, artificial hills and dense planting add to the spacious feel.
Find out more about Casa Verne ›
San Francisco Residence, US, by Jamie Bush
A series of rooftop gardens were added to this stepped San Francisco building.
Los Angeles architect Jamie Bush used a landscape firm to choose plants to suit the California climate, which can quickly change from very hot to very cold. Among these are ornamental grasses, which are both attractive and hardy enough to thrive in windy conditions.
Find out more about San Francisco Residence ›
Veranda Roof Studio, India, by Studio Course
Studio Course revived this penthouse in Pune, west India, which opens up to a rooftop space. The local studio connected the apartment's library with its courtyard garden where a raised patio makes for a perfect space for reading and relaxing.
Practical gravel lines the ground while shrubs and trees in wide terracotta pots add touches of green to the stone walls and floor.
Find out more about Veranda Roof Studio ›
The Red Roof, Vietnam, by TAA Design
This house in Vietnam is named after the large red bricks that make up its stepped roof, which is covered in an abundance of roof planters filled with vegetables for the local community.
The garden was designed to function as a closed cycle of growth, harvest and consumption, and grows a number of different vegetables in its raised plant beds and a number of terracotta pots.
Find out more about The Red Roof ›
Forest House, Thailand, by Shma Company
Bangkok's Forest House has over 120 trees planted on its green roofs. As the roof terrace receives the most sunlight, it has also been planted with fruits, herbs and vegetables for the family who lives here.
Shma Company, which designed Forest House, believes that plant-covered buildings can help to mitigate many of the effects of climate change.
Find out more about Forest Roof ›
Maggie's Centre Leeds, UK, by Heatherwick Studio
Heatherwick Studio's design for Leeds' Maggie's Centre for cancer patients has a grassy rooftop garden as well as a plant-filled interior.
The studio wanted to immerse the building in "thousands of plants" to make it feel soulful and welcoming. The rooftop garden uses species native to Yorkshire's woodlands, with evergreen shrubs and trees to provide colour throughout the year.
Find out more about Maggie's Centre Leeds ›
Tokyo home, Japan, by Suzuko Yamada
Permanent scaffolding containing garden spaces encapsulates this Tokyo home.
Though it's not a traditional rooftop garden, the different levels of the scaffolding allow the owners to experience a wide variety of plants, from a large tree on the ground to smaller potted plants higher up.
Find out more about Tokyo home ›
Rooftop garden, USA, by Piet Oudolf
Dutch garden designer Piet Oudolf, the designer of the High Line in New York, used herbaceous perennials ranging from flowering plants to decorative grasses for this rooftop garden.
The plants are placed in fibreglass planters with built-in benches and were used to frame four different zones on the rooftop, including a piazza and a dining area.
Find out more about Rooftop garden ›
House in Nha Trang, Vietnam by Vo Trong Nghia
The roof of this house in Vietnam is formed by a large tiered garden that was created to offer the owners as much outdoor space as possible. Trees, plants and flowers have been planted in rows on the staggered roof.
"The client wanted a large house with a large garden," architects Vo Trong Nghia and Masaaki Iwamoto said. "Answering this request, a single roof is designed as a hanging garden to plant numerous trees and plants on."
Find out more about House in Nha Trang ›
This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen's image archive. For more inspiration see previous lookbooks showcasing peaceful bedrooms, calm living rooms and colourful kitchens.
The post Ten lush rooftop gardens that serve as tranquil oases above the city appeared first on Dezeen.
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Searching for contemporary moss wall art for your space? A moss wall supplier in Australia named Vista Concepts offers unique designs for any form and brand logos in commercial spaces. View our most recent creations, including vertical gardens, living green walls, and moss wall art, which will enhance the natural appearance of any area. Catch us and visit, https://vistaconcepts.com.au/moss-wall/
#Vertical Gardening System in Australia#Artificial Garden Walls Sydney#Experts in Living Green Walls#artificial vertical garden sydney#green wall systems australia#Realistic Artificial Vertical Garden Wall Plants in Australia
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These 12 Innovators Are Forging The Path For Sustainable Design In Australia
These 12 Innovators Are Forging The Path For Sustainable Design In Australia
TDF Design Awards
Lucy Feagins
Adam Cornish Design & Junglefy, Junglefy Breathing Wall. Photo – Willem Dirk du Toit.
Adam Cornish Design + Junglefy, Junglefy Breathing Wall
Environmental infrastructure specialists, Junglefy and designer Adam Cornish have collaborated on green wall systems for over five years. Through this collaboration, it became apparent that more could be done to utilise the air cleaning properties of living plants. The Junglefy Breathing Wall is a result of this development: an indoor/outdoor system designed to actively remove pollutants from the air, harnessing nature’s inherent air cleaning and purifying qualities.
The unique insulated chamber mimics a natural microclimate through a series of fins that regulate air and moisture, encouraging the ecosystem to expand and grow new organisms. Unlike traditional potted plants and green walls, the breathing wall system engages the plant, root bundle and soil to filter air in much higher volumes. The modular system is deconstructible, meaning it can be assembled according to the size of the space.
Dale Hardiman & Stephen Royce, Open Garden. Photo – Jonathon Grigg. Good Citizens, 100% Recycled Eyewear. Photo – Dan Hilburn.
Dale Hardiman + Stephen Royce, Open Garden
Designers Dale Hardiman and Stephen Royce collaborated with technical engineers on their Open Garden project, a conceptual installation created for Melbourne Design Week in 2019. The pair transformed discarded screens into a sculptural mechanism that redistributes electronic waste into a new and functional light source.
Through a process of bending, fusing and hand-wiring old LCD iPhone screens together, the final connected frame revives these previously discarded materials as a new light form.
Good Citizens, 100% Recycled Eyewear
Inspired by a primary school challenge, a father and son duo repurpose discarded single-use plastic bottles into sunglasses frames, creating two classic styles that are 100% recycled, and made in Sydney.
Wanting to eliminate any metal components, the pair re-engineered the hinge connecting the arms to the frame so the entire product is completely made from recycled plastic. The resulting clip can be easily removed making pairs of Good Citizens sunglasses colour customisable and easily replaceable. This means if one part breaks, you don’t have to throw out the entire frame. Genius!
Dowel Jones & Soft Serve Studio, New Model. Photo – Cricket Studio. Sussex Taps, Circa. Photo – Tomas Friml.
Dowel Jones + Soft Serve Studio, New Model
New Model is the environmentally-conscious brainchild of design brand Dowel Jones and industrial design consultancy Soft Serve Studio. The brand was supposed to be launched in March of this year, one week after restrictions were imposed on Victorians. New Model intends to produce zero-waste, carbon-neutral products made from surplus, remnant and waste materials available at a commercial scale.
Eventually aiming to foray into furniture and lighting, the brand’s debut project is the zero-waste 1-Hour Bag which is made from deadstock upholstery materials. Hopefully, New Model launches with a full line of products soon!
Sussex Tapware, Circa range
Sussex Tapware is a true family business. Across four factories, all the company’s production and manufacturing is completed locally. Sussex Taps is one of the only tap companies in Australia to own and operate its own foundry. This enables them to run an internal closed loop system, whereby the chippings and debris leftover from metalwork are melted down and reused in new products.
The Circa range of hardware fittings is handmade by craftspeople locally in Melbourne, and is cast from 100% recycled brass sourced from the company’s own closed loop system. An energy system overhaul in the factories has seen emissions reduce by 30% since the installation of solar panels.
Read our full story on Sussex Taps here.
Five Mile Radius, Waste Terrazzo. Photo – Callie Marshall. Seed & Sprout, Raise The Bar. Photo – Hayley Nedland.
Five Mile Radius, Waste Terrazzo
Did you know that concrete makes up 8% of the world’s carbon emissions? This innovative concrete surface developed by Five Mile Radius turns that production cycle on its head by creating speckled terrazzo slabs entirely from construction and demolition waste collected around Brisbane. Used as a benchtop, table or seat, each unique piece combines excess wet concrete with crushed demolition waste that’s been directly diverted away from landfill.
All designs are made-to-order and totally customisable, meaning not only are they produced purely by demand, but the customer receives a completely bespoke design. It’s a win-win!
Seed & Sprout, Raise The Bar
One room at a time, Seed & Sprout are devising natural, eco-friendly products alternatives to conventional household items in a mission to make our homes completely (and easily) zero waste. Their latest innovation? A locally-made range of zero waste, waterless personal care products that are free of artificial colourants and synthetic fragrances.
By replacing water, colourants, palm oil, sulphates, harmful parabens and animal products with essential native oils and natural clays, the Byron Bay-based company has created an effective alternative to these high-use, everyday hygiene products. And amassed a cult Instagram following in the process! The shampoo, conditioner, body bar, shave bar, facial cleanser, exfoliator and hand sanitising soap, which can be purchased in a 100% recyclable aluminium travel tin.
Koala Eco, Eco Friendly Cleaning Products. Photo – Ian Lanterman. Returnr, Deposit-return system & products. Photo – Longboy Media.
Returnr, Deposit-return system + products
In a bid to reduce the amount of disposable packaging used in transporting meals, Returnr is a hospitality-focussed deposit-return system offers stainless steel reusable food and drink vessels to take-away customers. Simply make a fully refundable $6 deposit, and receive your food or drink in a twin-walled, stainless steel cup, canister or bowl. Stainless steel was chosen for its hygienic properties, and is made from predominantly recycled materials.
As well as significantly lowering the complacent consumption of takeaway packaging, the Returnr model aims to target the human error component of the waste cycle. So, even if you forget the reusable cup you use 99% of the time, Returnr means you don’t have to increase your carbon footprint if you still decide to get a latte.
Koala Eco
Founded in 2017, Koala Eco aimed to create a natural alternative to mainstream domestic cleaning products. By harnessing natural, native ingredients, Koala’s range of cleaning and home products are plant-based and completely non-toxic, relying on the natural antibacterial properties of Australian native flora to replace industry standard chemicals.
All Koala Eco ingredients are plant-derived and biodegradable. The packaging is made from 100% recycled materials, and are completely recyclable themselves. The bottles are designed to be reused, with the company offering a refill option on nearly all their products.
Melbourne Food Hub, Grow/Source/Eat. Photo – Amelia Stanwix. Commune & Co, Cirque du Soil. Photo – Amelia Stanwix.
Commune + Co, Cirque du Soil
Accessible, user-friendly compost systems in densely populated urban areas are few and far between. But when you consider that food rotting in landfill produces methane, which is approximately 25 times more potent than regular carbon emissions, the lack of composting infrastructure becomes more of a concern.
This situation is why Commune + Co. developed Cirque du Soil, a community composting initiative that engages local traders and businesses to create a hyperlocal, circular economy for food waste. The subscription-based pick-up service collects organic waste from residents, traders and businesses in local communities and deposits it in a centralised composting system. This regenerates soil, lowers methane emissions and takes urban spaces one step closer to eliminating food waste!
Sustain Australian Food Network, Grow/Source/Eat
Little did we know, but door-to-door delivery services were about to become a LOT more popular in 2020 than anyone suspected. It’s a model Sustain: The Australian Food Network have been trailing for a while with their Grow/Source/Eat project: a weekly delivery service providing subscribers with sustainably sourced and locally grown fruit and veggie boxes from small-scale urban farmers.
The original pilot model was designed to redistribute excess farm products left unsold from weekend farmers markets. This was then expanded to a subscription-based model (fortuitously) in March of this year, to guarantee a more solid customer base, provide consistent revenue and eliminate unnecessary food waste. By partnering with regenerative, next generation farmers the program encourages hyperlocal consumption and education around seasonal produce.
Waverly Woolen Mills. Photo – Nina Hamilton.
Waverley Mills, 100% Natural Fibre Recycled Range
Waverley Mills was built in 1874, making it Australia’s oldest working textile mill. Alongside the traditional blankets, rugs, throws and scarves it regularly produces, the mill has refined its recycling process with new technologies. Using a completely closed-loop system, this line of natural fibre throws is produced from the mills’ own deadstock materials.
The Design Files + Laminex Design Awards 2020 Sustainable Design or Initiative Award is presented by Country Road.
Country Road’s mission is to inspire modern Australian living every day. It stands by the belief that great design is timeless, creating beautiful products that are made to last.
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Glenn Ligon
Glenn Ligon (born January 1, 1960) is an American conceptual artist whose work explores race, language, desire, sexuality, and identity. Ligon engages in intertextuality with other works from the visual arts, literature, and history, as well as his own life. He is noted as one of the originators of the term Post-Blackness.
Early life and career
He was born in 1960 in the Bronx. At the age of 7, his divorced, working-class parents got a scholarship for him and his brother to attend Walden School, a high-profile progressive private school on Manhattan's Upper West Side. Ligon graduated from Wesleyan University with a B.A. in 1982. After graduating, he worked as a proofreader for a law firm, while in his spare time he painted in the abstract Expressionist style of Willem de Kooning and Jackson Pollock. In 1985, he participated in the Whitney Museum of American Art's Independent Study Program. He currently lives and works in New York City.
Work
Ligon works in multiple media, including painting, neon, video, photography, and digital media such as Adobe Flash for his work Annotations. Ligon's work is greatly informed by his experiences as an African American and as a gay man living in the United States.
Painting
Although Ligon's work spans sculptures, prints, drawings, mixed media and even neon signs, painting remains a core activity. His paintings incorporate literary fragments, jokes, and evocative quotes from a selection of authors, which he stencils directly onto the canvas by hand. In 1989, he mounted his first solo show, "How It Feels to Be Colored Me," in Brooklyn. This show established Ligon's reputation for creating large, text-based paintings in which a phrase chosen from literature or other sources is repeated over and over, eventually dissipating into murk. Untitled (I Am a Man) (1988), a reinterpretation of the signs carried during the Memphis Sanitation Strike in 1968 — made famous by Ernest Withers’s photographs of the march —, is the first example of his use of text.
Ligon gained prominence in the early 1990s along with a generation of artists like Lorna Simpson, Gary Simmons, and Janine Antoni. In 1993, Ligon began the first of three series of gold-colored paintings based on Richard Pryor's groundbreaking stand-up comedy routines from the 1970s. The scatological and racially charged jokes Ligon depicts speak in the vernacular language of the street and reveal a complex and nuanced vision of black culture.
In A Feast of Scraps (1994–98), he inserted pornographic and stereotypical photographs of black men, complete with invented captions ("mother knew," "I fell out" "It's a process") into albums of family snapshots including graduation photographs, vacation snapshots, pictures of baby showers, birthday celebrations, and baptisms, some of which include the artist's own family. Like almost all of Ligon's art, this project draws out the secret histories and submerged meanings of inherited texts and images.
For Notes on the Margin of the Black Book (1991–93), Ligon separately framed 91 erotic photographs of black males cut from Robert Mapplethorpe's 1988 "Black Book," installing them in two horizontal rows. Between them are two more rows of small framed typed texts, 78 comments on sexuality, race, AIDS, art and the politically inflamed controversy over Mapplethorpe's work launched by then-Texas Congressman Dick Armey.
Another series of large paintings was based on children's interpretations of 1970s black-history coloring books.
Installation art
In 1994, the art installation To Disembark was shown at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. The title alludes to the title of a book of poetry by Gwendolyn Brooks. "To Disembark" functions in both works to evoke the recognition that African Americans are still coping with the remnants of slavery and its ongoing manifestation in racism. In one part of the installation, Ligon created a series of packing crates modeled on the one described by ex-slave Henry "Box" Brown in his "Narrative of Henry Box Brown who escaped from Slavery Enclosed in a Box 3 Feet Long and 2 Wide." Each crate played a different sound, such as a heartbeat, a spiritual, or contemporary rap music. Around each box, the artist placed posters in which he characterized himself, in words and period images, as a runaway slave in the style of 19th century broadsheets circulated to advertise for the return of fugitive slaves. In another part of the exhibition, Ligon stenciled four quotes from a Zora Neale Hurston essay, "how it feels to be colored me," directly on the walls: "I feel most colored when I am thrown against a sharp white background," "I remember the very day that I became colored," "I am not tragically colored," and "I do not always feel colored." Ligon found Hurston's writing illuminating because she explores the idea of race as a concept that is structured by context rather than essence.
Neon works
Since 2005, Ligon has made neon works. Warm Broad Glow (2005), Ligon’s first exploration in neon, uses a fragment of text from Three Lives, the 1909 novel by American author Gertrude Stein. Ligon rendered the words “negro sunshine” in warm white neon, the letters of which were then painted black on the front. In 2008, the piece was selected to participate in the Renaissance Society's group exhibit, "Black Is, Black Ain't"., and appeared on the Whitney Museum’s facade in 2011. Other neon works are derived from neon sculptures by Bruce Nauman; One Live and Die (2006) stems from Nauman’s 100 Live and Die (1984), for example.
Film
In 2009, Ligon completed short film based on Thomas Edison's 1903 silent film Uncle Tom's Cabin. Playing the character of Tom, Ligon had himself filmed re-creating the last scene of Edison's movie, which also provided his film's title: "The Death of Tom." But the film was incorrectly loaded in the hand-crank camera that the artist used so no imagery appeared on film. Embracing this apparent failure, Ligon decided to show his film as an abstract progression of lights and darks with a narrative suggested by the score composed and played by jazz musician Jason Moran.
Exhibitions
Ligon's work has been the subject of exhibitions throughout the United States and Europe. Recent solo exhibition include the Studio Museum in Harlem, New York (2001); the Kunstverein München, Germany (2001), the Walker Art Center, Minneapolis (2000); the St. Louis Art Museum (2000); the Institute of Contemporary Art, Philadelphia (1998); and the San Francisco Museum of Modern Art (1996). A first survey of Ligon's work opened at The Power Plant in Toronto in June 2005 and traveled to the Andy Warhol Museum in Pittsburgh; Contemporary Arts Museum in Houston; Wexner Center for the Arts in Columbus; Morris and Helen Belkin Art Gallery in Vancouver, and the Mudam in Luxembourg. The first comprehensive mid-career retrospective devoted to Ligon's work was held at the Whitney Museum of American Art, the Los Angeles County Museum of Art, and the Modern Art Museum of Fort Worth in 2011. Group shows in which Ligon has participated include the Whitney Biennial (1991 and 1993), Biennale of Sydney (1996), Venice Biennale (1997), Kwangju Biennale (2000), and documenta 11 (2002).
In 2013, Ligon started writing letters to artists whose work had made an impression on him in his life, asking if he could borrow that particular work for an exhibition. While some of the letters were sent to living artists, others are letters that Ligon would have sent those of the past, including Willem de Kooning, Franz Kline, Jean-Michel Basquiat, Andy Warhol and Felix Gonzalez-Torres. The resulting show at Nottingham Contemporary in 2015 featured work by 45 different artists from Warhol to Steve McQueen, as well as Black Panther Party posters, press shots and footage from the Birmingham riot of 1963.
Collections
Ligon's work is represented in many public collections including the Baltimore Museum of Art, Baltimore; the Museum of Contemporary Art, Chicago; the Museum of Modern Art, New York; the Philadelphia Museum of Art, Philadelphia; the Guggenheim Museum, New York; the Tate Modern, London; the Walker Art Center, Minneapolis; the Blanton Museum of Art, Austin; the Wadsworth Atheneum, Hartford; the Warwick Arts Centre, Coventry; and the Whitney Museum of American Art, New York. In 2012, the National Gallery of Art in Washington bought the painting Untitled (I Am a Man) (1988).
In 2012, Ligon was commissioned to create the first site-specific artwork for the New School's University Center building, designed by Skidmore, Owings & Merrill, on the corner of 14th Street and Fifth Avenue in Greenwich Village. The work will feature about 400 feet of text from Walt Whitman’s Leaves of Grass rendered in pink neon lights, running around the top of a wall in the center’s first-floor café.
Recognition
In 2005, Ligon won an Alphonse Fletcher Foundation Fellowship for his art work. In 2006 he was awarded the Skowhegan Medal for Painting. In 2010, he won a United States Artists Fellow award.
In 2009, President Barack Obama added Ligon's 1992 Black Like Me No. 2, on loan from the Hirshhorn Museum and Sculpture Garden, to the White House collection, where it was installed in the President's private living quarters. The text in the selected painting is from John Howard Griffin's 1961 memoir Black Like Me, the account of a white man's experiences traveling through the South after he had his skin artificially darkened. The words "All traces of the Griffin I had been were wiped from existence" are repeated in capital letters that progressively overlap until they coalesce as a field of black paint. Art critic Jerry Saltz called this work a "black-and-white beauty."
Art market
On the occasion of Ben Stiller and David Zwirner’s "Artists For Haiti" charity auction at Christie's in 2011, Jennifer Aniston set a record prize for Glenn Ligon's work by purchasing his Stranger #44 (2011). At $450,000, Aniston beat Ligon’s previous record of $434,500 for Invisible Man (Two Views) (1991), realized at Sotheby's in September 2010. Untitled #1 (Second Version) (1990), a painting in which the words "I Feel Most Colored When I Am Thrown Against a Sharp White Background" repeat again and again, sold for $2.6 million at Christie' New York in 2014.
Ligon is represented by Regen Projects in Los Angeles; Luhring Augustine in New York; and Thomas Dane Gallery in London.
Personal life
According to the Federal Election Commission (FEC), Ligon donated $30,000 to the presidential campaign of Hillary Clinton in September 2016.
Wikipedia
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Glenn Ligon
Happy birthday to Glenn Ligon.
https://www.wikiwand.com/en/Glenn_Ligon
Glenn Ligon (born January 1, 1960) is an American conceptual artist whose work explores race, language, desire, sexuality, and identity. Ligon engages in intertextuality with other works from the visual arts, literature, and history, as well as his own life. He is noted as one of the originators of the term Post-Blackness.
Early life and career
He was born in 1960 in the Bronx. At the age of 7, his divorced, working-class parents got a scholarship for him and his brother to attend Walden School, a high-profile progressive private school on Manhattan's Upper West Side. Ligon graduated from Wesleyan University with a B.A. in 1982. After graduating, he worked as a proofreader for a law firm, while in his spare time he painted in the abstract Expressionist style of Willem de Kooning and Jackson Pollock. In 1985, he participated in the Whitney Museum of American Art's Independent Study Program. He currently lives and works in New York City.
Work
Ligon works in multiple media, including painting, neon, video, photography, and digital media such as Adobe Flash for his work Annotations. Ligon's work is greatly informed by his experiences as an African American and as a gay man living in the United States.
Painting
Although Ligon's work spans sculptures, prints, drawings, mixed media and even neon signs, painting remains a core activity. His paintings incorporate literary fragments, jokes, and evocative quotes from a selection of authors, which he stencils directly onto the canvas by hand. In 1989, he mounted his first solo show, "How It Feels to Be Colored Me," in Brooklyn. This show established Ligon's reputation for creating large, text-based paintings in which a phrase chosen from literature or other sources is repeated over and over, eventually dissipating into murk. Untitled (I Am a Man) (1988), a reinterpretation of the signs carried during the Memphis Sanitation Strike in 1968 — made famous by Ernest Withers’s photographs of the march —, is the first example of his use of text.
Ligon gained prominence in the early 1990s along with a generation of artists like Lorna Simpson, Gary Simmons, and Janine Antoni. In 1993, Ligon began the first of three series of gold-colored paintings based on Richard Pryor's groundbreaking stand-up comedy routines from the 1970s. The scatological and racially charged jokes Ligon depicts speak in the vernacular language of the street and reveal a complex and nuanced vision of black culture.
In A Feast of Scraps (1994–98), he inserted pornographic and stereotypical photographs of black men, complete with invented captions ("mother knew," "I fell out" "It's a process") into albums of family snapshots including graduation photographs, vacation snapshots, pictures of baby showers, birthday celebrations, and baptisms, some of which include the artist's own family. Like almost all of Ligon's art, this project draws out the secret histories and submerged meanings of inherited texts and images.
For Notes on the Margin of the Black Book (1991–93), Ligon separately framed 91 erotic photographs of black males cut from Robert Mapplethorpe's 1988 "Black Book," installing them in two horizontal rows. Between them are two more rows of small framed typed texts, 78 comments on sexuality, race, AIDS, art and the politically inflamed controversy over Mapplethorpe's work launched by then-Texas Congressman Dick Armey.
Another series of large paintings was based on children's interpretations of 1970s black-history coloring books.
Installation art
In 1994, the art installation To Disembark was shown at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. The title alludes to the title of a book of poetry by Gwendolyn Brooks. "To Disembark" functions in both works to evoke the recognition that African Americans are still coping with the remnants of slavery and its ongoing manifestation in racism. In one part of the installation, Ligon created a series of packing crates modeled on the one described by ex-slave Henry "Box" Brown in his "Narrative of Henry Box Brown who escaped from Slavery Enclosed in a Box 3 Feet Long and 2 Wide." Each crate played a different sound, such as a heartbeat, a spiritual, or contemporary rap music. Around each box, the artist placed posters in which he characterized himself, in words and period images, as a runaway slave in the style of 19th century broadsheets circulated to advertise for the return of fugitive slaves. In another part of the exhibition, Ligon stenciled four quotes from a Zora Neale Hurston essay, "how it feels to be colored me," directly on the walls: "I feel most colored when I am thrown against a sharp white background," "I remember the very day that I became colored," "I am not tragically colored," and "I do not always feel colored." Ligon found Hurston's writing illuminating because she explores the idea of race as a concept that is structured by context rather than essence.
Neon works
Since 2005, Ligon has made neon works. Warm Broad Glow (2005), Ligon’s first exploration in neon, uses a fragment of text from Three Lives, the 1909 novel by American author Gertrude Stein. Ligon rendered the words “negro sunshine” in warm white neon, the letters of which were then painted black on the front. In 2008, the piece was selected to participate in the Renaissance Society's group exhibit, "Black Is, Black Ain't"., and appeared on the Whitney Museum’s facade in 2011. Other neon works are derived from neon sculptures by Bruce Nauman; One Live and Die (2006) stems from Nauman’s 100 Live and Die (1984), for example.
Film
In 2009, Ligon completed short film based on Thomas Edison's 1903 silent film Uncle Tom's Cabin. Playing the character of Tom, Ligon had himself filmed re-creating the last scene of Edison's movie, which also provided his film's title: "The Death of Tom." But the film was incorrectly loaded in the hand-crank camera that the artist used so no imagery appeared on film. Embracing this apparent failure, Ligon decided to show his film as an abstract progression of lights and darks with a narrative suggested by the score composed and played by jazz musician Jason Moran.
Exhibitions
Ligon's work has been the subject of exhibitions throughout the United States and Europe. Recent solo exhibition include the Studio Museum in Harlem, New York (2001); the Kunstverein München, Germany (2001), the Walker Art Center, Minneapolis (2000); the St. Louis Art Museum (2000); the Institute of Contemporary Art, Philadelphia (1998); and the San Francisco Museum of Modern Art (1996). A first survey of Ligon's work opened at The Power Plant in Toronto in June 2005 and traveled to the Andy Warhol Museum in Pittsburgh; Contemporary Arts Museum in Houston; Wexner Center for the Arts in Columbus; Morris and Helen Belkin Art Gallery in Vancouver, and the Mudam in Luxembourg. The first comprehensive mid-career retrospective devoted to Ligon's work was held at the Whitney Museum of American Art, the Los Angeles County Museum of Art, and the Modern Art Museum of Fort Worth in 2011. Group shows in which Ligon has participated include the Whitney Biennial (1991 and 1993), Biennale of Sydney (1996), Venice Biennale (1997), Kwangju Biennale (2000), and documenta 11 (2002).
In 2013, Ligon started writing letters to artists whose work had made an impression on him in his life, asking if he could borrow that particular work for an exhibition. While some of the letters were sent to living artists, others are letters that Ligon would have sent those of the past, including Willem de Kooning, Franz Kline, Jean-Michel Basquiat, Andy Warhol and Felix Gonzalez-Torres. The resulting show at Nottingham Contemporary in 2015 featured work by 45 different artists from Warhol to Steve McQueen, as well as Black Panther Party posters, press shots and footage from the Birmingham riot of 1963.
Collections
Ligon's work is represented in many public collections including the Baltimore Museum of Art, Baltimore; the Museum of Contemporary Art, Chicago; the Museum of Modern Art, New York; the Philadelphia Museum of Art, Philadelphia; the Guggenheim Museum, New York; the Tate Modern, London; the Walker Art Center, Minneapolis; the Blanton Museum of Art, Austin; the Wadsworth Atheneum, Hartford; the Warwick Arts Centre, Coventry; and the Whitney Museum of American Art, New York. In 2012, the National Gallery of Art in Washington bought the painting Untitled (I Am a Man) (1988).
In 2012, Ligon was commissioned to create the first site-specific artwork for the New School's University Center building, designed by Skidmore, Owings & Merrill, on the corner of 14th Street and Fifth Avenue in Greenwich Village. The work will feature about 400 feet of text from Walt Whitman’s Leaves of Grass rendered in pink neon lights, running around the top of a wall in the center’s first-floor café.
Recognition
In 2005, Ligon won an Alphonse Fletcher Foundation Fellowship for his art work. In 2006 he was awarded the Skowhegan Medal for Painting. In 2010, he won a United States Artists Fellow award.
In 2009, President Barack Obama added Ligon's 1992 Black Like Me No. 2, on loan from the Hirshhorn Museum and Sculpture Garden, to the White House collection, where it was installed in the President's private living quarters. The text in the selected painting is from John Howard Griffin's 1961 memoir Black Like Me, the account of a white man's experiences traveling through the South after he had his skin artificially darkened. The words "All traces of the Griffin I had been were wiped from existence" are repeated in capital letters that progressively overlap until they coalesce as a field of black paint. Art critic Jerry Saltz called this work a "black-and-white beauty."
Art market
On the occasion of Ben Stiller and David Zwirner’s "Artists For Haiti" charity auction at Christie's in 2011, Jennifer Aniston set a record prize for Glenn Ligon's work by purchasing his Stranger #44 (2011). At $450,000, Aniston beat Ligon’s previous record of $434,500 for Invisible Man (Two Views) (1991), realized at Sotheby's in September 2010. Untitled #1 (Second Version) (1990), a painting in which the words "I Feel Most Colored When I Am Thrown Against a Sharp White Background" repeat again and again, sold for $2.6 million at Christie' New York in 2014.
Ligon is represented by Regen Projects in Los Angeles; Luhring Augustine in New York; and Thomas Dane Gallery in London.
Personal life
According to the Federal Election Commission (FEC), Ligon donated $30,000 to the presidential campaign of Hillary Clinton in September 2016.
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